I Took a Party Bus to ‘The Black Parade’
Submitting to the regime of my new old emo overlords, My Chemical Romance
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Joshua Chuquimia Crampton of Los Thuthanaka Breaks Down 6 Perfectly Produced Records
From Bolivian charangueada to Japanese heavy metal, these are the productions that inspire the visionary guitarist.
It’s Not Me, It’s You
This week’s picks include music for your next breakup, as well as perfectly gritty New York rap and electro-pop for sexy vampires
How Raekwon’s ‘Only Built 4 Cuban Linx’ Helped Me Appreciate Clarks Wallabees
An ode to the timeless suede moccasins as depicted on the Wu-Tang member’s timeless solo debut
A Basement Rock Tour de Force
Plus a brutal and oddly calming electronic soundtrack for society’s future collapse
Jeff Buckley's Divine Feminine
A new documentary about the 1990s star focuses on the influence of women and recasts the idea of the “muse.”
How Fleetwood Mac Won the Classic Rock Wars
You’ll never get away from the sound of the woman that loved you
Love Songs That Don’t Suck
This week’s picks include a few tracks about the madness of romance along with a defiantly weird piece of synth music that demands your full attention.
Five Albums to Take You Away
Plus a singer-songwriter who bravely asks, “Is that dog that’s drowning in your new painting supposed to look like me?”
‘Eddington,’ Katy Perry, and Why Obama-Era Pop Now Sounds Like a Punchline
In Ari Aster’s Covid-era nightmare, “Firework” is wielded like a cudgel.
Disiniblud’s Magical Album for Who You Used to Be
Disiniblud composers Rachika Nayar and Nina Keith on the mutual trust they needed to make their new album and their “brain-rotted, bimbo wisdom”
The Closest Thing We’ll Get to a Frank Ocean Tearjerker in 2025
Plus acoustic guitar music that will make you see ghosts, cheeky Palestinian pop that skewers American culture, and more