Charli XCX Wants to Run With the Big Dogs
Plus an ultra-rare hi-fi audio collage, a dispatch from a rising Memphis rap star, and deconstructed footwork meant to approximate the chaos of the timeline
Plus an ultra-rare hi-fi audio collage, a dispatch from a rising Memphis rap star, and deconstructed footwork meant to approximate the chaos of the timeline
Plus Four Tet’s un-Googleable new album, Syd’s grown-woman swagger, and a high-wire act of underground rap
Plus: Cain Culto shredding on the fiddle like the devil went down to Lexington, and vocals that sound like a gremlin suffocating inside a steel box.
Plus, an experimental scene veteran drops a suite of communal optimism and a promising young upstart conjures 808s and indie-rock riffs.
Plus: a melancholy world of glass-topped coffee tables and Armani suits, and a rapper with a vocab sure to melt even the thickest thesaurus.
Wake-and-bake breakup anthems, lost sessions from a modern indie-rap classic, and a post-punk singer who sounds like Lou Reed after a three-week bender.
Plus Vince Staples’ rock album, Death Cab’s comeback, and Must-Hear Mexican R&B
This week we’ve got grimy club jazz from an outré techno vet, eerie romance set to traditional Caribbean styles, Southern Gothic coming-of-age collage-rap, and more.
Plus: Veeze avoids the empty calories on his leaked-mixtape edit.
Plus: fretless guitar and funky drum machine jams from an Orthodox priest in coastal Greece.
Plus: “Leeds’ premier and pre-eminent Xenofeminist crisis-energy rock duo.”