Katseye—Pop Progressives or Soulless Shills?
It’s time to put new tracks by Olivia Rodrigo, Katseye, and Yaya Bey through the Waste or Taste gauntlet.
It’s time to put new tracks by Olivia Rodrigo, Katseye, and Yaya Bey through the Waste or Taste gauntlet.
Plus 1970s Congolese funk that sounds like it went through a meat pulverizer!
Dijon's eight-man band takes Coachella. Plus: a low-key rapper/producer with more lore than a Greek myth.
Hole’s Melissa Auf der Maur looks back lucidly on her 1990s in “Even the Good Girls Will Cry,” as I seek out memoirs by levelheaded women artists from the generation before mine.
HT staffers pick their most anticipated live shows for spring and summer 2026.
Plus: Two electronic geniuses' surprising collab, a beloved bass virtuoso gets lost, and more.
In which we Waste or Taste equine DJ Horsegiirl’s fruity new anthem, Flea’s Frank Ocean cover, and Gelli Haha’s springy psych-pop.
Plus: Robyn bravely goes deep into the heart of sexistentialism.
The greatest 25-minute space-jazz sax excursion you'll hear all week, guaranteed.
Plus: everyone's favorite Argentine pop-tricksters, an album that's like minimal techno for orchestra, and more.
Including that one time a superfan stole singer Bret Kaser’s identity